Today you will enjoy a Datong Architecture Tour by visiting 3 filming locations for Black Myth: Wukong, namely Yungang Grottoes, Huayan Temple, and Shanhua Temple. If time permits, you can explore more inside Datong Ancient City, such as biking on the Datong Ancient City Wall (Self-pay) for sunset.
In the morning, head to Yungang Grottoes, a World Cultural Heritage site. The Yungang Grottoes Temple is one of the Four Great Grottoes of China, alongside the Mogao Caves in Dunhuang, the Longmen Grottoes in Luoyang, and the Maijishan Grottoes in Tianshui. Carved over 1,500 years ago during the Northern Wei dynasty (386-534 AD), the Yungang Grottoes were the first caves authorized by Chinese royalty and are considered the most magnificent among the four. Currently, they house 45 main caves and over 59,000 stone sculptures, with the tallest statue reaching 17 m and the smallest at 2 cm. Carved into the mountain, the grottoes stretch about 1 km from east to west, divided by natural terrain into the East Zone (Caves 1-4), the Central Zone (Caves 5-13), and the West Zone (Caves 14-45). Along this stretch, you can appreciate 3 types of caves: the Grand Buddha Caves (Caves 16-20), the Buddha Hall Caves (Twin Caves 5-6; 7-8; 9-10; 11-13), and the Stupa Temple Caves (Caves 1, 2, 6, 39). Moreover, you can observe 3 distinct styles of caves from different periods: early caves (Caves 16-20), middle caves (Caves 1-2; 5-6; 7-8; 9-10; 11-13; 3), and late caves (Caves 4, 14, 15, 20), showcasing the process of Buddhism's introduction to China and its evolution from Gandhara art to localized styles.
The most renowned ones are the early caves of the "Five Caves of Tan Yao" (昙曜五窟; Caves 16-20), which were commissioned by the Northern Wei monk Tan Yao (昙曜) under the decree of Emperor Tuoba Xun (拓跋濬; 440-465 AD). In these cases, not only can you see images of 4 Northern Wei Emperors and 1 Prince (Cave 17) on the five large Buddha statues, but you can also witness the Great Harmony (Datong世界大同) of major world civilizations in their carvings and murals, incorporating elements from Indian, Central Asian, Greek, and Roman, which are the traces left by Alexander's eastern campaign to India. You'll visit Cave 20, home to the iconic Open-air Buddha Statue (露天大佛), a striking blend of Han and Gandharan styles, unveiled by an ancient earthquake. You will find more stories behind Cave 18 which features a Buddha draped in a "Thousand Buddhas Robe" (千佛袈裟), believed to represent the Emperor Tuoba Tao (拓拔焘; 408-452 AD) who forbade Buddhism.
The middle period caves represent the peak of Yungang Grottoes' carving artistry, characterized by paired caves and two Buddhas seated in one Buddhist niche, reflecting the power struggle between the "Two Emperors" (二圣; the emperor and Empress Dowager Feng冯太后), renowned for their meticulous carving and ornate decorations. The late-period caves, constructed after the Northern Wei dynasty moved its capital from Datong to Luoyang in 494 AD, consist of many small caves built by locals (not royal family), signaling the decline of the dynasty. The figures in these caves are slender and elegant, with balanced proportions, marking the origin of China's "slender and clear" sculpture style (瘦骨清像). Take your time to explore the brilliant caves in close distance such as Cave 12 (Music Cave), Cave 5 (The Most Beautiful Smiling Buddha), Cave 3 (unfinished Cave), Cave 9 (World Architecture Museum), and more.
Optional:(If time permit)
1.Datong Yungang Grottoes Museum (大同云岗石窟博物馆): Inside Yungang Grottoes Temple scenic area. Closed on Mondays.
2.Datong Coal Museum (大同煤炭博物馆; Self-pay): Locates outside Yungang Grottoes by the other side of the river. About 10 min’s drive (6 km away). Double check if it closed on Mondays.
In the afternoon, head back to Datong Ancient City for its must-visit highlights such as Huayan Temple (Khitan-style Temple) and Shanhua Temple (Han-style Temple). The central axis of the ancient city of Datong has remained unchanged for over 2,300 years. Stretching from Yongtai Gate, Drum Tower, Sipailou, Kuixing Tower, to Guding Gate, this axis runs north to south for 2 kilometers. It not only connects the historical sites of the ancient city but also links its history. From the cultural integration of the Northern Wei dynasty to the historical development of the Liao, Jin, and Yuan minority ethnic regimes, it witnesses the historical changes from the Ming and Qing dynasties to modern times.
Huayan Temple, built in 1038, was acclaimed by Liang Sicheng as a "Rare Gem in the World" (海内孤品). Serving as the royal ancestral temple of the Liao Dynasty (916-1125AD), Huayan Temple was constructed facing east based on the Khitan (契丹族) saying "the sun rises in the east, and Buddhism comes from the west"(旭日东升,佛法西来), different from the traditional Han regions’ facing south. Covering an area of 66,000 square meters, the temple comprises over 30 individual buildings arranged along two main north-south axes. A highlight of Huayan Temple is the pair of 4.5 meters tall Chiwen (鸱吻; Dragon-fish roof ornament) on the ridges of the biggest Great Buddha Hall, which are the largest of their kind in ancient Chinese architecture. Don't forget to visit the Bokar Hall (薄伽教藏殿) to admire the statue of the smiling Buddha, known as the "Eastern Venus." You won't want to miss the 43-meter-high Huayan Pagoda (华严宝塔), the second largest square wooden pagoda in the country with a purely wooden structure (second only to the Yingxian Wooden Pagoda), and its 500-square-meter underground palace (千佛地宫) made of 100-ton copper. Today, Huayan Temple has been restored to its pre-Ming Dynasty grandeur on its original site, allowing this thousand-year-old temple to radiate its former glory once again.
Then, pay a visit to Shanhua Temple, one of China's largest and most intact architectural complexes from the Liao and Jin Dynasties. The temple follows the traditional Chinese architectural layout of facing south, with notable features such as the Five-Dragon Screen Wall (Ming Dynasty; 五龙壁), the mountain gate (Jin Dynasty), the Hall of Three Saints (Jin Dynasty), and the Great Buddha Hall (Liao Dynasty) gradually unfolding along the central axis, rising in tiers. The mountain gate features the Four Heavenly Kings, symbolizing national peace and prosperity. The Hall of Three Saints, named after the "Three Saints of Huayan"(华严三圣), houses Shanhua Temple’s treasure - Zhu Bian Stele (朱弁碑), and the largest known inclined arch lotus-finial corner bracket. Inside the Great Buddha Hall are twenty-four celestial figures (二十四诸天像), each uniquely crafted and lifelike, representing the pinnacle of Jin Dynasty sculptural art. Additionally, the octagonal coffered ceiling (斗八藻井) is a prime example of Liao Dynasty miniature wooden craftsmanship.
At last, if time permits, you can enjoy a Biking on Datong City Wall (Optional;Self-pay). The ancient city of Datong boasts the most well-preserved defensive system of ancient city walls. The existing walls were rebuilt during the Ming Dynasty on the foundation of the old city. It features four main gates: Heyang Gate to the east, Yongtai Gate to the south, Qingyuan Gate to the west, and Wuding Gate to the north. Each main gate has two smaller gates, totaling twelve city gates. Above the four main gates stand city towers, while moon towers, arrow towers, watchtowers, and corner towers are interspersed along the walls. Outside the gates are wengcheng (enclosed defensive structures), moon-shaped walls, and a moat, forming a complete and intricate defensive system.